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1 Παιάν
Παιάν, ᾶνος, ὁ, [dialect] Ep. [full] Παιήων, ονος, [dialect] Att., [dialect] Ion. [full] Παιών, ῶνος (v. sub fin.), [dialect] Aeol. [full] Πάων, ονος, Sapph.Supp. 20c.5:— Paean or Paeon, the physician of the gods, Il.5.401, 899, cf. Pi.P.4.270; Παιήονος γενέθλη, i.e. physicians, Od.4.232.2 title of Apollo (later as epith.,Ἀπόλλωνι Παιᾶνι BCH11.94
([place name] Hierocaesarea);ὦ βασιλεῦ Π... Ἄπολλον BMus.Inscr.1151
);ἰὴ Παιήον' ἄειδον h.Ap. 517
, cf. Call.Hec.1.1.10 (in Id.Ap. 103 ἱὴ ἱὴ Παιήον', ἵει βέλος an etym. from ἵημι may be suggested); ἰὴ Παιών GDIiv p.884 (Erythrae, iv B. C.);ἰήϊε Παιάν A. Ag. 146
(lyr.), S.OT 154(lyr.); (lyr.), Ar.Ach. 1212; ὦναξ Π. E.Alc. 220, etc.; τὸν Παίωνά (better Παιῶνά)τε καὶ τὰς Μούσας ἐπικαλούμενος Pl.Criti. 108c
, cf. Lg. 664c, A.Ag. 1248;Πάον' ὀνκαλέοντες Sapph.
l.c.; also of other gods,Ἀσκληπιὸς Παιών Ar. Pl. 636
, cf. Pae.Erythr.1; of Zeus at Rhodes, Hsch.; of Dionysus, Philod.Scarph.5, al., Orph.H.52.11; of Helios, ib.8.12; of Pan, ib. 12.11.II [full] παιάν, [dialect] Ep. [full] παιήων, [dialect] Att., [dialect] Ion. [full] παιών, paean, i.e. choral song, addressed to Apollo or Artemis (the burden being ἰὴ or ἰὼ Παιάν, v. supr. 1.2), in thanksgiving for deliverance from evil,μολπῇ θεὸν ἱλάσκοντο, καλὸν ἀείδοντες παιήονα Il.1.473
;Κρητῶν παιήονες h.Ap. 518
;παιᾶν' ἐπευφήμησεν A.Fr.350.4
, cf. B. 15.8, Procl. ap. Phot.Bibl.p.320 B.: hence opp. θρῆνοι, A.Ch. 343 (anap.), cf. Sch.Ar.Pl. 636 (but v. infr. 4); addressed to other gods, as to Poseidon after an earthquake, X.HG4.7.4.2 song of triumph after victory, prop. to Apollo, Il.22.391 sq.;ἁλώσιμος π. A.Th. 635
, etc.; also, battle-song,παιᾶν' ἐφύμνουν σεμνὸν Ἕλληνες Id.Pers. 393
, cf. Lys.2.38, X.Cyr.4.1.6; addressed to Ares, Sch.Th.1.50; ἐξάρχειν τὸν π. or τοῦ παιᾶνος, X. Cyr.3.3.58, Plu.Rom.16;π. ποιεῖσθαι X.HG7.4.36
.3 any solemn song or chant, esp. on beginning an undertaking, Th.7.75 (pl.);π. γαμήλιος Ar.Th. 1035
(lyr.);τριτόσπονδος π. A.Ag. 247
(lyr.);ἔγχει κἀπιβόα τρίτον παιῶνα Pherecr.131.5
, cf. Antiph.4, 85.5.4 by oxymoron, π. Ἐρινύων, π. τοῦ θανόντος, A.Ag. 645, Ch. 151; π. στυγνός, of a dirge, E.Tr. 126 (lyr.); παιᾶνα στενάζειν ib. 577;π. τῷ κάτωθεν θεῷ Id.Alc. 424
.III in Prosody, paeon, a foot consisting of 3 short and 1 long syll., [pron. full] ¯ ?ΠαιάνX?ΠαιάνX?ΠαιάνX, [pron. full] ?ΠαιάνX ¯ ?ΠαιάνX?ΠαιάνX, [pron. full] ?ΠαιάνX?ΠαιάνX ¯ ?ΠαιάνX, or [pron. full] ?ΠαιάνX?ΠαιάνX?ΠαιάνX ¯, Arist.Rh. 1409a2 (in form παιάν; later παιών), Heph.3.3, etc.; also π. διάγυιος, the foot [pron. full] ¯ ?ΠαιάνX ¯ , and π. ἐπιβατός, a foot of 5 long sylls., Aristid. Quint.1.16.— Attic form: Παιών is used of the god in IG12.310.229 (v B. C.), and in codd. of [dialect] Att. Prose and Com.; παιάν is used of the song in IG22.1338.19 (i B. C.), but this may be Hellenistic; codd. have παιών in Pherecr.131.5, Ar.Th. 1035, Pl. Ion 534d, Lg. 700b, 700d, Ep. 348b (prob. also in Smp. 177a), παιάν in Antiph.4, D.19.338, Aeschin.2.162, and freq. in X., HGIl. cc., al. (cf. παιωνίζω); the metrical foot is always παιών; the [dialect] Ion. forms are παιών, Παιών, SIG57.12 (Milet., v B. C.), GDIivp.884 (Erythrae, iv B. C.):—Accentuation: Παιών (the pr. n.) An.Ox.1.276; παιών (the song) Theognost.Can.38, Eust.138.10, 1109.11, Suid.; παίων is sts. found in codd., and Παίων (the god) is right acc. to Suid. Cf. παιανίζω, -ανισμός, παιωνίζω, -ωνισμός. -
2 διαύλια
διαύλιονan air on the flute in the interval of the choral song: neut nom /voc /acc pl -
3 διαύλιον
διαύλιονan air on the flute in the interval of the choral song: neut nom /voc /acc sgδιαυλέωaccompany with a: imperf ind act 3rd pl (doric)διαυλέωaccompany with a: imperf ind act 1st sg (doric) -
4 χορωδίαν
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5 χορῳδίαν
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6 διαύλιον
Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > διαύλιον
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7 μελῳδία
μελῳδ-ία, ἡ,Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > μελῳδία
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8 μεσαύλιον
A piece of flute-music, played in the intervals of the choral song, Vit.Aesop.Oxy.2083.27, Eust.862.19:—hence [suff] μες-αυλικὰκρούματα Aristid.Quint.1.11
.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > μεσαύλιον
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9 στάσιμος
I [voice] Act., checking, stopping, τὰ σ. τοῦ αἵματος styptics, Hp.Mul.2.110; of foods,=στατικός 1
, Id.Vict.2.54,55.II [voice] Pass., brought to a stand, standing, stationary: of water, stagnant, Id.Aėr.7, X.Oec.20.11, Aen.Tact.8.4, etc.; - ώτατος ποταμῶν Id.Aër.15; σ. αἷμα Id.Acut. (Sp.9; σ. ὕδατα, opp. ῥυτά, Arist.Mete. 353b19.b stable, steadfast, opp. ὑγρός and ῥοώδης, Hp.Mul.2.111, cf. Nat.Mul. 1, Diog.Apoll.5 ([comp] Comp.); τὸ ψυχρὸν ἔοικε σ. εἶναι, opp. κινητικόν, Plu.2.945f;σ. κίνησις Pl.Sph. 256b
, cf. Tht. 180b, Arist.GA 717a30 ([comp] Comp.);πνεῦμα Thphr.CP5.12.11
; (Salamis Cypr.); σ. ἄστρα fixed, Poll.4.156; σ. ὄργανα defined in Orib.49.2.6. Adv.- μως Hp.Acut.29
: [comp] Comp. .2 of men, steadfast, steady, φύσεις κόσμιοι καὶ ς. Id.R. 539d;τὰ σ. γένη ἐξίσταται εἰς νωθρότητα Arist. Rh. 1390b30
;φρόνιμος καὶ σ. ἄνθρωπος Plb.27.15.10
; - ώτερος, opp. τολμηρότερος, Id.21.7.5: τὸ ς. steadiness, Id.6.58.13; τὸ σ. τῆς ἵππου the heavy cavalry, Id.3.65.6;οἱ -ώτατοι τῶν ἀνδρῶν Id.15.16.4
.3 of music,ἡ Δωριστὶ -ωτάτη καὶ μάλιστα ἦθος ἔχουσα ἀνδρεῖον Arist.Pol. 1342b13
, cf. 1340b9, Pr. 922b15; μέτρον -ώτατον, of heroic verse, Id.Po. 1459b34; λέξις ς. Id.EN 1125a14:—but,b στάσιμον, τό, in Tragedy, choral song, distd. by Aristotle fr. πάροδος and defined as μέλος χοροῦ τὸ ἄνευ ἀναπαίστου καὶ τροχαίου, Po. 1452b23, cf. S.E.M.6.17, Poll.4.53, Ath.13.592b; expld. as sung by the chorus when stationary, σ. μέλος ὃ ᾄδουσιν ἱστάμενοι οἱ χορευταί Sch. Ar.Ra. 1314, cf. Arg.A.Pers., Sch.Ar.V. 270, Sch.S.Tr. 216, EM690.49, 725.2; cf. στάδην.4 ἀργύριον ς. money out at interest, Lex Solonis ap.Lys.10.18.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > στάσιμος
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10 χορῳδία
Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > χορῳδία
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11 ἐπιχορεύω
A dance to or in honour of a thing, Ar. Pax 1317 ; come dancing on, X.Smp.9.4 ; comically of dishes brought to table,ἄριστον ἐπεχόρευσεν Diph.44.1
;εἰς τὸ μέσον ἐ. σαπέρδης Id.64.4
.Greek-English dictionary (Αγγλικά Ελληνικά-λεξικό) > ἐπιχορεύω
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12 μέλος
A limb, in early writers always in pl., Il.7.131, Pi.N. 1.47, etc. ( κατὰ μέλος is corrupt for κατὰ μέρος in h.Merc. 419); μελέων ἔντοσθε within my bodily frame, A.Pers. 991 (lyr.), cf. Eu. 265 (lyr.); κατὰ μέλη ([etym.] - εα) limb by limb, like μελεϊστί, Pi.O.1.49, Hdt.1.119;τὰ τοῦ σώματος μέλη καὶ μέρη Pl.Lg. 795e
; μέλη ποιεῖν dismember, LXX 2 Ma.1.16: later in sg., AP9.141, Gal.UP12.3,al.;ἡ κατὰ μέλος τομή Str.2.1.30
.2 metaph.,ἐσμὲν.. ἀλλήλων μέλη Ep.Rom.12.5
, cf. 1 Ep.Cor.6.15.B esp. musical member, phrase: hence, song, strain, first in h.Hom.19.16 (pl.), of the nightingale (the Hom. word being μολπή), cf. Thgn.761, etc.;μέλη βοῶν ἄναυλα S.Fr. 699
; esp. of lyric poetry,τὸ Ἀρχιλόχου μ. Pi.O.9.1
; ἐν μέλεϊ ποιέειν to write in lyric strain, Hdt.5.95, cf. 2.135; , cf. D.H. Comp.11;Ἀδμήτου μ. Cratin.236
; μέλη, τά, lyric poetry, choral songs, opp. Epic or Dramatic verse, Pl.R. 379a, 607a, al.; [μ.] ἐκ τριῶν συγκείμενον, λόγου τε καὶ ἁρμονίας καὶ ῥυθμοῦ ib. 398d.2 music to which a song is set, tune, Arist.Po. 1450a14; opp. ῥυθμός, μέτρον, Pl.Grg. 502c; opp. ῥυθμός, ῥῆμα, Id.Lg. 656c; Κρητικόν, Καρικόν, Ἰωνικὸν μ., Cratin.222, Pl.Com.69.12,14: metaph., ἐν μέλει properly, correctly,ἐν μ. φθέγγεσθαι Pl.Sph. 227d
; παρὰ μέλος incorrectly, inopportunely,πὰρ μ. ἔρχομαι Pi.N.7.69
;παρὰ μ. φθέγξασθαι Pl.Phlb. 28b
, Lg. 696d;παρὰ μέλος λαμπρύνεσθαι Arist.EN 1123a22
, cf. EE 1233a39.3 melody of an instrument,φόρμιγξ δ' αὖ φθέγγοιθ' ἱερὸν μ. ἠδὲ καὶ αὐλός Thgn.761
;αὐλῶν πάμφωνον μ. Pi.P.12.19
;πηκτίδων μέλη S.Fr. 241
: generally, tone,μ. βοῆς E.El. 756
. [In h.Merc. 502 θεὸς δ' ὑπὸ καλὸν ἄεισεν must be read for θεὸς δ' ὑπὸ μέλος ἄεισεν, and Ἕλλησιν δ' ᾄδων μέλεα καὶ ἐλέγους is corrupt in Epigr. ap. Paus.10.7.6.]
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